The brand new Sony PMW -F5 is the latest addition to our rental stock. Included with this package is a Canon EF mount lens adapter, to make use of our extensive range of EF glass, as well as the stunning 1280x720 OLED viewfinder as standard. The F5 is easily adaptable to other lens systems including PL mount if required.
With an incredible 14 stop latitude, 422 XAVC codec and Sony's S-Log Gamma, the F5 is perfect for music videos and fashion films where the colour grading in is a vital part of post production.
The F5 records internally onto SxS cards with a resolution up to 1080p (1920x1080) and at speeds of up to 60fps. Allowing you to high definition, slow motion images.

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.

The Canon DSLRs have now become a standard request on many video shoots. Small, light and versatile they allow you to shoot in any situation as well as capture amazing timelapse photography. The Canon 5D MkIII improves on the low light capabilities from its predecessor and, crucially, you are able to monitor sound whilst recording. It also has an improved ALL-I MPEG codec to increase the bit rate of the video.

We stock the Zeiss ZE prime lenses from 21mm-100mm. This version has an EF mount which you can use with our Sony PMW-F5, Canon C300 and Canon DSLR range. We highly recommend you try them on your next shoot as they beautifully sharp and a pleasure to use.

• Large focus throw for accurate focusing
• Almost circular aperture with nine blades
• Uniform standardised colour characteristics
• Excellent reflection reduction
• Advanced stray light reduction
• Optimal distortion correction in all focal lengths
• Robust, all-metal design for many years of use

When the software control panel is too limited, the ATEM 1 M/E Broadcast Panel is a professional panel with the highest quality buttons, knobs and controls for the most demanding 24/7 live production environment. The ATEM 1 M/E Broadcast Panel is compact so it fits within a rack width! You get full control of your switcher, including cameras, transitions, keyers, fader, DVE control and more. ATEM 1 M/E Broadcast Panel connects via ethernet and includes a loop thru connection for more than one panel or computer.

With an array of inputs and features such as picture-in-picture, the Datavideo TLM-170H is perfect for onset monitoring, an edit suite or for an outside broadcast.

• Underscan and Overscan mode
• Adjustable PIP source and placement settings
• On-Screen Audio Level indicator
• Selectable On-Screen overlay for center mark, 4:3, 16:9, Cinema Zone and Frame markers
• On-Screen Time Code available when monitoring SD-SDI or HD-SDI signals
• On-Screen Editable Monitor Title on Safe area

The PMW-EX3 follows on from the successful launch of the PMW-EX1 and offers all the great features of the PMW-EX1 in a new semi-shoulder design. In addition to this design the camcorder also features an interchangeable lens system, genlock, timecode and remote control capability for real added flexibility, offering a low-cost HD studio solution. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, 25p and native 23.98P, as well being 1080i/720P switchable.

You're looking at Matthews most versatile piece of equipment - the RED Dolly. Outfitted with Matthews Mini Bazooka, the RED Dolly performs moves that other dollies just can't match from tight 360 degree repeatable full circles to "crabbing" and the quick dolly reverse shots.. Remove the seat and there is a SteadyCam standing platform equipped with side receivers for lights, grip equipment and video monitors.

The DSLR Light-Jib is a very light-weight and flexible jib arm that additionally to a standard jib also includes an automatic tilting system that further enhances its shooting capabilities. Owing to its small packing size and its reduced weight of only 3.9 kg thanks to carbon tubes, the jib is designed for quick and easy use like all ABC Products equipment. Moreover, the extremely short assembly time of only a few seconds and a QuickPin system allow a rapid change of location and camera angle. Not only do the boom length of 1.52 m and a payload capacity of 4.5 make it an extremely versatile piece of equipment.